- Step up revolution 2012 soundtrack full final dance how to#
- Step up revolution 2012 soundtrack full final dance series#
- Step up revolution 2012 soundtrack full final dance tv#
Like Rick Malambri in the third film, Ryan Guzman is essentially a pretty boy: he doesn't have a great deal of presence, and smiles like he's modelling Levi's jeans.
In terms of the performers, we are again confronted by a number of fine dancers whose acting talents are far outstripped by their ability to bust a move. If you were immensely generous, you could point to the tradition of silent cinema and deriving character from gesture, but such traditions seem far from the creators' minds. The characters are so clearly defined in their narrative roles that some of them don't need to open their mouth before we know exactly what they will do by the end. But it is still an immensely episodic venture whose moments of dialogue are often just book-ends to the set-pieces.
Miami Heat doesn't continue this decline, as if things could get any more inane after Step Up 3.
Step up revolution 2012 soundtrack full final dance series#
But since that point the series has become less and less about character and plot, to the point where if you took out all the talking, it would just be a series of music videos. In Step Up itself this was acceptable, because director Anne Fletcher used their melodramatic nature as a springboard into something that was appealing and interesting. If you've seen any of the first three films, you could watch this with your eyes closed and know exactly where it's going.Įach of the Step Up films have been populated by characters who are painted in very broad strokes. From there the plot incorporates incredibly familiar elements such as forbidden love, corporations not having a heart and the underdogs coming together to take a stand. It begins with a pretty decent set-piece and the setting-up of our main characters, who like seemingly every dancer in the history of cinema are waiting for their first big break. The first half of Step Up 4: Miami Heat (Miami Heat hereafter) is as boringly predictable as ever.
Step up revolution 2012 soundtrack full final dance how to#
But however mainstream and often sanitised his work may be, Speer knows how to shoot good dancing and how to keep his performers focussed on the task at hand.
Step up revolution 2012 soundtrack full final dance tv#
This will produce a groan among many who despise anyone who comes out of either Disney or reality TV shows like American Idol - and I would often count myself in the latter camp at least.
Like many modern film directors, Speer comes out of music videos, having cut his teeth shooting promos for Ashley Tisdale, Jordin Sparks and Jason Derulo among others. Chu has not been behind the camera, vacating on this occasion for Scott Speer. But it is worth noting that the series has been at its best when Jon M. The later instalments in particular are so homogenously mainstream and narratively generic that it's hard to see any positive directorial stamp. It would be quite a stretch to describe any of the Step Up series as auteurist works. But whether through sheer good will or a somewhat tighter second half, it does eventually improve upon its predecessor and ends up as something perfectly passable. It comes from a first-time director, features little or no continuity with the previous offering, and is in some respects just as thin and episodic as we've come to expect. The franchise has innovated itself as far as it possibly can, the quality has already started to decline (good three-quels are very rare) and everyone has decided to just give up and enjoy what's left of the box office.Ĭonsidering the declining fortunes of the Step Up series, you could be forgiven for not holding out much hope for Miami Heat (also known as Step Up Revolution). The fourth film in a given series - a "four-quel", to quote Mark Kermode - is often the point where all remaining principles and good intentions go out of the window. Most film franchises don't make it past their third instalment.
0 kommentar(er)
